Rejection, Resilience, and Pressing On

The rejection email came one week after I had submitted the article. In truth, it was a kind and professional email. My article was “thoughtful and creative” they said, and it would not work for their magazine. They left me with best wishes, and it was over.

I felt hot all over as I read the email. There is nothing like rejection letters to take you back to childhood and those feelings of insecurity that all children go through at some point and some children go through at all points. I wanted to cry. It’s ironic that I received the email in the middle of facilitating what turned out to be a highly successful training. But I didn’t see that. All I saw was the “it would not work” part of the email and the picture in my mind of a big fat F for failure notice for all to see.

My first impulse was to hate the magazine. What did I need with some silly old magazine? Weren’t magazines from last century? But that didn’t work, because I love and appreciate this magazine. I’ve read it for several years and many of the articles in it are deep and thoughtful. The articles they publish point me to God; help me to contemplate big life questions and everyday faith and I am spiritually richer for reading them.

My next impulse was to hate my writing. Who do I think I am to publish anywhere besides my blog – that dear space that never rejects me. I never even took a college English course and here I am thinking I can actually put together a cohesive article. Who even is my audience? The whirlwind of self-doubt and criticism was exhausting, hanging heavy in my soul.

I managed to finish the training and finally back at my hotel room, I allowed myself to cry. I realized that the rejection was an outsider’s view of what I’ve felt recently about my writing. It highlighted the discouragement I have experienced, the lack of focus, the many pieces I have saved that are still incomplete. My submission of the article had been a high point of last week. I cared about what I had written – about the subject and the people affected. I felt like it was a pretty good article and I felt brave to have written it, brave to have pressed send on the submission email.

All those things are still true. The rejection email does not take away the good things about the process, the piece, and the courage it took to submit it. At its core, writing is a great big ampersand. It is sometimes brave and other times cowardly. It is at times exhilarating and other times defeating. It is truthful and it is dishonest. At times it resonates, and other times it falls flat, and that is because it is so deeply connected to the human experience.

The only true failure of all of this is if I allow rejection to diminish my love for the craft, if it prevents me from continuing to communicate ideas, thoughts, and things that I love through writing.

Madeleine L’Engle writes poignantly about the rejections she received when she submitted the manuscript for A Wrinkle in Time, a book that continues to be a best seller years after its publication. She described writing the book as a redemptive experience, so after two and a half years of rejection letters, she finally said to her agent that she was done. It was too hard for her, too hard for her family. A few months later, she gave a tea party for her mother, and through an old friend of her mother’s ended up with an appointment with a publisher and ultimately, a book deal for a book that so many around the world love. She writes about the mystery of timing and the mystery of art, its acceptance or rejection at the hands of another. Why, she wonders, does one writer or artist get discovered while another dies in obscurity? We yearn for success she says because “Art is communication, and if there is no communication it is as though the work has been stillborn.”1

I am absolutely no Madeleine L’Engle, but I love the resilience and love for writing that she models, and I take heart in her encouragement to continue writing.

And so, I press on. I press on because writing has become central to my life, central to my faith. I press on because I am not defined by rejection, but by belovedness. I press on because, in the words of the protagonist in Chariots of Fire, “When I write, I feel God’s pleasure.”

  1. Madeleine L’Engle in Walking on Water: Reflections on Faith & Art pp 25 ↩︎

Making Something is Hopeful

I’m in Rockport today, taking a break from what has been a busy, crazy schedule. Fog covers the area stretching out over the ocean, creating a thick blanket over both reality and imagination.

We drove up yesterday, one of the many cars leaving the city during afternoon rush hour. While the morning offered bright sunshine, clouds rolled in during the afternoon and a light rain was falling by the time we arrived. The minute we drove over the bridge on the highway leaving the mainland and heading into Gloucester and then Rockport a deep peace always settles over me. Gone is the frantic pace of city living. Gone is the worry about contacting people who need to be contacted whether it be via email or phone. Gone is the sense of urgency or guilt of not doing enough.

Ahead is peace, quiet, order, and rest. I am well aware that this is a luxury not shared by so many in our world, well aware of the privilege of rest and peace. I have found that the necessary response is not guilt but gratitude. Not anxious worry that I’m not doing enough but inner peace that will allow me to do well in whatever task is put before me.

As often happens when I stop, I find tears close to the surface. The tears spilled over into a conversation with my brother and sister-in-law and after the phone call ended, I sent a text thanking them for holding my tears. We all need tear-holders in our lives. It’s amazing how much peace I feel after a good, long cry, the weight and burden of tears finding a shared space instead of staying bottled up in isolation.

We are heading into the home stretch of Lent in my faith tradition, with Holy Week just one week away. I am ready for the Paschal celebration of all things new, and if I’m honest, the accompanying eggs, milk, and meat that signify that Lent (and the vegan diet accompanying Lent) is over.

Things outside of me and my control feel difficult. Whether front page news or the resulting commentary from all of us about the front-page news, or actions of others that can’t be controlled, it all feels too much. In a word – it feels hopeless. And this is why I write. Because when I write, I never feel hopeless. I feel hope and joy. I feel ready to move forward. The act of creating is a catalyst that propels me out of sadness or grief into a world full of imagination and hope. So today, I needed to write, to get a few words out to you, but mostly to me.

One of my favorite recent reads is the book Everything Sad is Untrue by Daniel Nayeri. I had begun reading the Kindle version when I received the print version from one of my sons for my birthday. I had already decided I wanted to buy the hardcopy, so it was a surprise and delight to receive it as a gift. I could never write a review of this book. It far too original and creative, and my words would never do it justice. But I want to end with a quote from the book that describes what I feel about the world and about writing.

Does writing [poetry] make you brave? It is a good question to ask. I think making anything is a brave thing to do. Not like fighting brave, obviously. But a kind that looks at a horrible situation and doesn’t crumble.

Making anything assumes there’s a world worth making it for. That you’ll have someplace, like a clown’s pants, to hide it when people come to take it away. I guess I’m saying making something is a hopeful thing to do. And being hopeful in a world of pain is either brave or crazy.

Everything Sad is Untrue by Daniel Nayeri

I write because there’s a world worth writing for. May your weekend hold hope and life and may you make something, anything actually, because it’s a world worth making something for.

The Comfort of Cafés

I’m not sure when I first discovered the comfort of cafés. Perhaps it was years ago when I discovered the Marriott Bakery within the Marriott Hotel on the island of Zamalek in Cairo and found the best brewed coffee in the city. Perhaps it was a bit later when I discovered another bakery walking distance from our flat in that made amazing croissants.

Or perhaps it was after that, when cafés became more available, coinciding with more freedom in my life as my kids got older.

But it has been through writing that I have discovered the true magic and comfort of cafés. When I began writing 11 years ago, I found it difficult to concentrate if I just wrote at home. I would sit with my fingers hovering over the typewriter, my mind blank for things to say. I’d pack up my things, walk out the door and down the street to Central Square in Cambridge, find a café and with a coffee by my side my fingers went from hovering to furiously typing words and sentences.

Though I sometimes struggle with insecurity in public spaces, all that insecurity leaves me as I sit in a café. I am surrounded by life, by music, by sounds from the kitchen, and by conversation but within that noise I’m completely focused. Usually, I hear English as the dominant language followed by Spanish and then others. Living in a busy city it is never English only.

There is something deeply comforting in the anonymity of sitting and working, or reading, or simply enjoying a hot drink by myself in a café.

I write, I look around, I stare into space, I think, I get ideas, I type the ideas into a document, I pray, I wonder, I repeat.

These public spaces help me pay attention to life around me even as I get immersed in my writing. They envelope me with the joy of people watching and remembering the shared human story. And describing the human story and experience is one of the things I love best about writing.

I know I am not the only one. As I sit in a cafe today, I am with several people who came in before I did and will probably stay after I leave. This shared experience of those I may or may not meet does not feel lonely. It feels companionable, as though we have membership in an invisible club.

I also know this is not accidental. We are human beings who are connected not only to each other, but also to place. Place attachment and forming emotional bonds to place begins early in life and there is a lot of research on what makes a place meaningful for people. Places root us to the environment around us and form a context for us to flourish.

But it’s not the academic nature of this that I care about. It’s the physical and emotional nature. For in a world that often feels restless, frantic, and fractious, it’s the wonder, the peace, and the comfort that comes with finding my space in a café.

A Quote, A Book, A Thought or Two

A Quote:

“But let me tell you something about the love of God, even as we muddle through life on this earth. He is never constrained by our decisions. In fact, perfect decisions, if such a thing were possible, might lull us into thinking that we had sufficient wisdom. Imperfect decisions on the other hand, which is to say human decisions, allow for the possibility of grace, this thing that always reminds of how freely, how extravagantly God loves.”

Jen Pollock Michel – Monday Newsletter*

This quote arrived in my inbox under the heading “Grace for imperfect decisions.” It was a Monday morning gift, and I hope as you read this it will be the same for you. I have sometimes had paralysis around decision making. What if it’s the wrong decision? What will I learn later that I don’t know now, perhaps wishing to have made a different choice, a different decision? What has helped me has been my conversations with others around decision making. I’ve had dozens of conversations around the idea that many decisions in life are not about right or wrong, about morality or someone getting hurt. Rather, they are about taking what we know at the time and moving forward in the next right thing. This quote reminds me that grace covers all of the imperfect deciding moments.

A Book:

One of the gifts that I have been given this past year is a project connected with a recovery community in Southeast Massachusetts. The work has included starting a community advisory board for an organization that does wholistic and comprehensive work with those who struggle with addiction. The project was to create a cookbook that would connect cooking with the recovery journey. Like recovery itself, collectively creating the cookbook was a slow process. But the result is a beautiful book called One Cup at a Time: Recipes for Recovery that contains stories and recipes from all over the world.

I wrote this in the book:

One Cup at a Time: Recipes for Recovery is a community project that focuses on food, community, and recovery. Through these recipes and stories, we want to take you on a journey – a journey that is not a single story, but a collection of lives and experiences, of food and family, of resilience and recovery. Through stories we will explore the courage it takes to move into recovery; through food we will savor the tastes and traditions that honor each person’s journey.

Cooking is not about one ingredient or one recipe. It’s about a series of steps: a cup of this, a teaspoon of that, stir this, and mix that. It takes time, thought, and care. Just as in cooking, recovery does not have only one recipe for success. Instead, recovery is about taking one step at a time….

We invite you to the project. Read. Taste. Savor. And through it, become someone who can walk alongside those in recovery.

I’m not telling you recovery is going to be easy. I’m telling you it’s going to be worth it.

Anonymous

What an honor it has been to do this work! In truth, there were times when I couldn’t imagine that the project would come together. Isn’t that true of so many things? In the middle we can’t imagine what the end will look like. We can’t imagine healing when physical or emotional pain is so strong. We can’t imagine a resolution to a conflict when we feel anger every time we think about the person. We can’t imagine joy when sorrow is so overwhelming. We can’t imagine redemption when all around us is decay. And yet – the cookbook, arguably a human project that will not change the world, is complete – a finished product that is beautiful and useful. And though it won’t change the world, the impact on those who contributed is unquantifiable.

The book is for sale on Amazon and all proceeds go to the recovery community. It is expensive, but it is full color and gorgeous. You won’t be disappointed if you purchase this for yourself or a friend.

A Thought or Two: What I’m dreaming, deciding, watching, and reading….

I had a dream the other night that it rained and rained and rained and rained. Then it rained some more. We are in a drought here in Massachusetts, the grass all around as brown as the desert. The dream wasn’t just about the weather – it was also about my heart. I’m in a drought and longing for the refreshment of rain on my soul. Amazingly, yesterday it rained all day! It gives me hope that the rain for my soul is a heartbeat away.

Speaking of grace for imperfect decisions, I made the decision to leave my 9-5 job and go into consulting full time. It is a good decision, but not without its risks. One of the reasons that I did this is that I want more time to write. I have some writing projects that have I have been unable to get to because of a full-time job.

I’ve watched two excellent movies that I want to recommend. The first – 13 Lives – is about the true story of the Thai soccer boys and their coach trapped in a cave in the Chiang Rai region of Thailand in 2018. I had to stop the film several times while I watched it as the intensity does not let up. What I appreciate about that intensity is that the creators help you feel a fraction of the tension the parents, boys, divers, and all involved felt. It is a profoundly moving film. The courage, the teamwork, the thinking way outside of the box, the faith it took – there are no words left to describe this film. If that sounds too intense – and I don’t exaggerate this – then watch The Bookshop, the story of a widow who opens a bookstore on a coastal town in England. It is a lovely story with an ending that I wouldn’t choose.

I’ve just finished Apeirogon – an exceptional story of the friendship between a Palestinian and an Israeli, based on both of them losing a daughter to the conflict and struggling to find and seek peace despite the pain. “It struck him early on that people were afraid of the enemy because they were terrified that their lives might get diluted, that they might lose themselves in the tangle of knowing each other.” p 124

And that’s a wrap. I appreciate you. I appreciate that you read my words when there are so many millions of others to read. I will never have a large space in our wide world, but I love my small space and want to steward it well.

I’ll end with words from the late Frederick Buechner, a writer that I have quoted before, with the encouragement to all of us that good words last. These words are for us – the nomads, the travelers, the ones who sit a spell, and then travel forward.

You can kiss your family and friends good-bye and put miles between you, but at the same time you carry them with you in your heart, your mind, your stomach, because you do not just live in a world but a world lives in you.

Frederick Buechner

*I subscribe to Jen Pollock Michel’s newsletter and appreciate her thoughtful reflections and wisdom. If you don’t know Jen’s writing, then I’m delighted to introduce you to her. Her book, Keeping Place: Reflections on the Meaning of Home is a book for nomads and travelers – people like you and me. She has several other books as well, but this one in particular resonates with me.

The Stories Behind Our Silence

It’s been quiet here. It feels eerily quiet to me, though for those of you who read – the silence may be welcome. No one needs more noise in their lives. But the quiet feels strange to me because so much of my processing is done through writing.

Whenever my writing goes silent, there is a story behind the silence. I would think that this is true for most of us. Though everyone doesn’t process through writing, we all go through journeys where our inner world and trauma don’t reflect our outward circumstances, where there are stories behind our stepping away from life.

Some things are not for public consumption. In a world that more and more demands our every thought, our every hurt and pain spewed out through whatever public means possible, it feels important to say this.

Yet, too often, people insist on the story. They seemingly can’t give grace without the details. It makes me wonder how we can grow to be the kind of people who can honor the silent stories, giving grace for behavior and actions that don’t reflect what we know about the person’s life. How can we honor the stories behind the silence, knowing that people must feel safe in order to share? How can we become people who don’t operate off a sort of voyeurism, insisting on the hard ingredients instead of offering unconditional comfort?

It was a number of years ago when I first discovered the difference between outside circumstances and silent stories. It was in trying to figure out how I could help a friend. Her outside circumstances were seemingly ideal. A “put together” family – the kind that takes pictures of all their kids with blue jeans and white shirts on a pristine beach – a good job, beautiful kids, talent beyond believability. But behind her perfect smile was an undefinable sadness. At first I was impatient and frustrated. Of all the people I knew, she was the last person who seemed to have a reason to be sad. It was in the midst of frustration, that I felt a strong rebuke and challenge to look beyond these seemingly perfect circumstances. I realized that there must be more to the story then her observable beautiful life.

In truth, I should have been quicker to identify this. I say this because I too have been judged as one who has “nothing to complain about.” Judged for being a baby who can’t cope with the perfect life I’d been given. There were silent stories behind my observable “good” life. Stories that were difficult to share, and even more difficult to live.

The stories remained silent until I trusted a friend enough to reveal them.

Whether others give us freedom for silence or not, there are time honored and tested verses from the Old Testament book of Ecclesiastes that offer space for these seasons of silence:

There is a time for everything, and a season for every activity under the heavens: a time to be born and a time to die, a time to plant and a time to uproot, a time to kill and a time to heal, a time to tear down and a time to build, a time to weep and a time to laugh, a time to mourn and a time to dance, a time to scatter stones and a time to gather them, a time to embrace and a time to refrain from embracing, a time to search and a time to give up, a time to keep and a time to throw away, a time to tear and a time to mend, a time to be silent and a time to speak, a time to love and a time to hate, a time for war and a time for peace.

Ecclesiastes 3:1-8

May we strive to be people of the seasons. People who honor all of the times in our lives, including the stories behind the silence – may we be people who offer the gifts of grace, comfort, compassion, and hope, all given without expectation, without insisting on details. And through these gifts may stories be heard, silence give way to a voice, and above all, the seasons of hope and healing be restored.

Be Still and Create

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“In an age of movement, nothing is more critical than stillness. In an age of distraction, nothing can feel more luxurious than paying attention.”

Pico Iyer in The Art of Stillness


I sit on my couch, coffee beside me, mindlessly playing a game on my iPhone. This has never been a problem for me before, but it is now.  I was the one that never succumbed to this kind of mindless drivel. I would create through writing, decorating, or planning innovative public health programs.  Now, even when I have time I struggle to focus; struggle to keep any sort of disciplined schedule.  As I play the game, my mind wanders. It wanders to my mom, a recent widow; to one of my children who is going through a crisis; and then on to other more mundane worries. They all have one thing in common: they are out of my control. What is in my control is pressing five red squares linked together. This will create a rocket, and with that little rocket, I will win this game and claim victory over a machine. And then I will do it again, and again, and again.  Until I don’t win, and I restlessly realize that I have just spent an unthinkable amount of time on a phone game.

In The Art of Stillness, author Pico Iyer talks about how many people in Silicon Valley try to observe an internet Sabbath. People take a 24 to 48 hour break from their online jobs creating high tech instruments and content so they can relax and reboot. Employees take this time so that they are at maximum creativity when they return. They rest so they can create programs that keep us, their ever-willing customers, online all the time. It is a profound irony that someone somewhere may have taken an internet Sabbath and then created a game that I now sit and play for hours. I squander my moments of stillness and with it, my ability to create.

I have run out of lives on my game, and so I wait. I wait and I think about what it means to be still; what it means to renew my mind and soul so that I will pay attention; so that I will have both the desire and the will to create.


I live in a city that goes to bed late and gets up in the early morning hours. My first activity as I leave my apartment is to walk 15 minutes to the subway. Noise is immediate and continuous. It’s in the train engine roaring, in people having conversations, in the homeless population at Central Square, sometimes insulting each other and other times laughing, but always loud. I travel three stops to my office in downtown Boston, the busiest section of the city. The pace and demands are relentless, wordlessly declaring that being still is an absurd impossibility. And this creeps into my subconscious mind, so that even when I have time, I have bought into the lie that being still is impossible.

Yet all around, I see evidence of how being still creates life. The small purple flowers of crocuses have just emerged from a still earth.  The brown branches of long dormant forsythia have given birth to brilliant yellow flowers.  Budding trees and bushes join this holy movement and add their pops of color against a grey April sky and cold sterile buildings.  After months of stillness, spring bursts forth like an artist who has taken a sabbatical and moves on to create her greatest work of art.

It is the work of a God whose infinite creativity spoke a world into being, who marked off the dimensions of the earth’s foundations as morning stars sang.

“Where were you
when I laid the foundation of the earth?
Tell me, if you possess understanding!
Who set its measurements—if you know—
or who stretched a measuring line across it?
On what were its bases set,
or who laid its cornerstone—
when the morning stars sang in chorus,
and all the sons of God shouted for joy?”*

Between marking off the measurements of the earth’s foundations and laying its cornerstone, was God still? Did he create, and then sit in stillness, communing with members of the Trinity, only to go back days, months, and years later and create more? Has stillness always been a part of creation?

Be still, and breathe.

Be still, and create.

Be still, and bring life.

Be still, and know God.


The lives on the game have refreshed. I pause a minute and realize that what I long for, this game cannot give. Only taking a time to be still will equip me to write the words I long to write, to create the programs I long to create.  I reluctantly shut off my phone, the hardest step in the process of disengaging from what has become my adult pacifier. Outside the city is still. Inside, I sit in stillness, my own communion with the holy Trinity. This moment is perhaps the most creative thing I will do today, but it is a start and it is enough.


*Job 38: 4-7 NET

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A Life Overseas – Creating Place

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I’m at A Life Overseas today talking about creating a sense of place and home. I would love it if you joined me! 


In recent years, authors have released a plethora of Christian books about home and place. From Jen Pollock Michel’s Keeping Place to Tish Oxenreider’s At Home in the World, many have a lot to say about roots, feeling at home, and stability.

I read these books with both appreciation and cynicism. I’ve lived in 28 houses on continents and can’t count the hours I’ve spent moving or in airports.  So I appreciate that writers take time to explore home and place, but I also read with skepticism. Do they really know what it’s like to be uprooted? Do they really understand what it is to be separated from family and friends by oceans and continents for long periods of time? Do they honestly know what it is to try to create home when everything ‘home like’ is gone? I’m well aware that this is arrogant, that to long for home is human, but there are times when I still feel it.

The ALOS community knows all about pulling up roots, transplanting, and working to feel at home where we don’t belong.

In truth, I believe that one of the most important things we can do overseas is create place and home. Living as if this world is not our home may sound good in a hymn, but it neglects the important truth about who we are as humans. In the words of Paul Tournier, we are incarnate beings and to be human is to need a place, to be rooted and attached to that place.  Spending years in borrowed housing, eating from borrowed dishes, and living on borrowed furniture is not healthy when our goal is to enter a community overseas. If everything around us shouts “temporary”, it’s hard for us to feel rooted.

But how do we do that? There are two areas that I want to discuss: The first is a theology of place while the second is a purely practical look at how we might physically create space.

Theology of Place: 

First off, I think we need to recognize the importance of place and home. We can’t create a home if we don’t think doing so is important.

A year after I graduated from college, I decided to go overseas to work as a nurse. It was summer and I was living in the city of Chicago. Since I was leaving for Pakistan in September my roommate and I decided to get rid of most of the things in our apartment in June. We blithely rid ourselves of all the things that we owned. Down came curtains; out the door went furniture; into the hands of friends went dishes and precious items. It was a horrible summer and I ended up in tears in a counselor’s office. As we talked, the counselor began quizzing me on my living situation. When she discovered that I barely had a bed and a few dishes, she gently informed me that this was one of the problems.  I had assumed that getting rid of all my earthly belongings three months before I left was the best way for me to prepare. I was wrong. I lived as a temporary, friendless person that summer. My disconnection from place was profound and I suffered because of it.

In coming to us through the Incarnation, Jesus attached himself to time and place. He was a human who lived during a specific historic time period. He was son of Mary and Joseph, a carpenter. He was John’s cousin and he lived in Nazareth where he inhabited a physical home. I like to imagine that Mary delighted in creating earthly space for this son of hers; the one who was present at the creation of the world when God the Father created our physical home; the one who would dramatically bridge the gap between heaven and earth for the rest of us so that one day, we would have a permanent home.

In an interview with A Life Overseas, Jen Pollock Michel writes: “At the beginning, Genesis 1 drives toward this idea that God is making a habitable world for his people. ‘It is good’ is a way for God to say, ‘It is homelike. People can live here.’ And then of course in Revelation, we see God bringing heaven to earth and welcoming his children to dwell with him.” 

I think it’s easy for us as Christians to disavow the importance of home and place; to perhaps see ourselves as more spiritual because we live in rented homes, or serve in far off places and aren’t as tethered to place as the friend with a five bedroom house and full basement. But perhaps that tethered friend has something to teach us about creating space. In leaving homes and families to work in communities that are different from we are, it is important to write our names in the land and learn how to live well in those places. One of the ways that we live well is by creating home and place.

While this earth may be temporary, in creating us God called us into a particular space and time – we honor that when we create place. Place will change, but the character of God will not. He will always be a God who values home, who invites us to his eternal home. This understanding is foundational to using the practical tools that follow.

Join me here at A Life Overseas to read the rest of the piece!

We are Too Fortunate


This weekend we walked along the rocky coast, a bright sun beginning its journey to set and emerge on the other side of the world. It was so incredibly beautiful. “We are too fortunate!” I thought to myself.

Too fortunate.

The words are not original to me, but they came into my vocabulary a number of years ago through an artist’s pottery shop in the town of Rockport. On this Monday, where my Sabbath rest collides with my daily reality, I want to remind myself of those words “We are too fortunate.”


Travel to the end of Route 128 in the North Shore of Boston and you will end up in Rockport, Massachusetts – a charming town on the rocky Atlantic coast, where art galleries mix with unique shops and beautiful gardens.

Rockport is at the end of the railway line and there is not a better ending to that particular train journey.

Some of the well-known landmarks in the area include Bearskin neck jutting into the sea and the main tourist area of the town and Motif #1, an old fishing shack that is said to be the most painted site in all of the United States;

A number of years ago there was a small pottery shop in town called Too Fortunate Pottery. I first discovered this shop years ago when, wanting to escape the madness of an American mall at Christmastime, my husband and I chose to do all of our Christmas shopping in Rockport. Wandering in to the pottery shop I wanted to stay forever.  The shop was filled with light and creativity. It wasn’t just the pottery itself, beautiful though it was, it was the peace and the space transporting me to a world  beyond my current reality. Perhaps it was the timing since we found this shop in the middle of a critical process of culture-shock, experiencing our first Christmas in ten years in the United States after moving from Cairo.

On one of my future visits to the shop I began speaking with one of the owners.  I asked her about the name of the store. She looked at me, paused, and then replied “One day, as we were working and creating, we looked at each other and realized that we were too fortunate to have this shop and do what we loved all day long. The name came to us that day – Too Fortunate Pottery.”

I have never forgotten this conversation and this window into the creativity and gratefulness of the artists.

Perhaps it’s my limited view, but I see fewer people passionate about their work. I can’t think of many who could put up the sign “Too Fortunate” to describe their life’s work and calling. There are also many who may not be willing to give up their retirement plans, yearly raises, and that critical 2-week vacation that the west understands as the American Dream to do what they are passionate about. For others, it is finances and life circumstances that dictate their work, demanding attention to jobs that are not their life choice.

This is what makes the work of the artist so critical and desperately needed.  Because artists create spaces where the rest of us can relax and enter into places where time doesn’t matter and peace radiates all around.

In the words of another, art becomes essential not decorative* so that we too might consider ourselves too fortunate.

*Bono on The Psalms

This post was revised from one written in 2011.