Friendship Forged of Steel – In Memory of Jean Buker

At nine pm on October 11, 1954, as tugboats slowly pull a freighter away from the docks in Brooklyn, seven passengers stand together on the deck, watching the lights of the city and the Statue of Liberty fade into the distance. Four more are sleeping peacefully below deck in their bunks and portable cribs, blissfully unaware of how the events of this day are shaping their lives. On the dock where our family members and friends had waved their last goodbyes, a lone man walks to the end. His voice echoes across the harbor waters, over the noise of tugboats as they move the Steel Recorder out towards the open Atlantic: “Grace and peace…Pray without ceasing…Preach the Word.”

Pauline Brown in Jars of Clay

My mom called me yesterday and left a voice message. It was about a dear friend of hers from Pakistan days who was dying.
“It’s not that I’m sad for her,” she said through tears. “It’s that I’m sad. Just so, so sad.”

Mom’s friendship with Jean Buker goes back to early days when the two young families were embarking on a journey that would affect them and their children in unquantifiable ways. Their first forays into friendship began at Hartford Seminary where the two couples, along with a few others from my parents’ mission were enrolled for missiology classes. Those early days of dreaming and planning for their life overseas propelled them forward onto the Steel Recorder – a freight ship that left out of New York Harbor.

I picture my mom and Jean, both in their mid-twenties, beautiful with not a wrinkle on their skin, dressed as one did in that era – in skirt suits with hats and perhaps a strand of pearls at the neck. Jean and Ray Buker had three children while my parents had my oldest brother. The journey by sea to this newly formed country was four weeks long. Four weeks of walking the deck to get exercise, keeping tight rein on their toddlers so they didn’t fall through the huge gaps on the railing of the ships deck, trying to make it through seasickness and the beginnings of homesickness, playing scrabble with a competitive edge in the evenings, singing and praying to a God they loved, then at last seeing the shores of Karachi Harbor in what was then West Pakistan.

How young and naive they all were! And yet – how very brave! They watched as their family members became little dots on the shore, finally looking at each other knowing this was it. There was no going back.

Then those first months in the Sindh region of Pakistan, three couples and six children sharing a two-bedroom house in a questionable area of the city of Larkana because no one else would rent to these foreigners.

Those early days built a solid foundation of friendship. Friendship forged in shared language learning, learning how to cook with unfamiliar ingredients, and all that comes with a cross-cultural move to the other side of the world.

The friendship continued through the years, made stronger as more people joined them. Websters, Roubs, Addletons, Pittmans, Johnsons, Dobras, Salmons, Elkins….names that I don’t think I could ever forget, so much were they a part of our family’s srory.

The Bukers moved back to the United States at one point, Jean’s husband Ray taking a job at the mission. And though the proximity of their friendship changed, every time my parents were in the U.S. they visited the Bukers. Updating each other on life in Pakistan, their kids, what was going on in the mission and sharing joys and discouragements continued to be a part of their friendship.

Jean Buker didn’t stop with my parents. She was Aunt Jean to us, more a relative than any blood could possibly create. Her friendship and love continued on to us kids as she extended her table to feed us too much at every Thanksgiving so we knew there was always a place where the turkey and pumpkin pie would be offered up with friendship and understanding. She provided a home base where we and other members of our family and TCK tribe could stay. Aunt Jean was the one who hosted a graduation party when I graduated as a proud nurse. Aunt Jean was the one who gathered people from all over the Chicago area to shower me with gifts a week before my wedding.

I knew where my mom’s tears were coming from as she cried over the phone. They were coming from a place of sweet saudade, that wistful longing for what no longer exists, no matter how much you mourn or long for it. They were coming from a place of memory, where young hearts and bodies with the world at their fingertips go out to the unknown, and friendship is a necessary ingredient. They were coming from knowing that earthly loss smacks of pain and grief because our hearts are created for eternity.

They were coming from a place of a beautiful, God-ordained, orchestrated, and formed friendship and they reflected the heart of God.

“The shifts of time unearth our longing for a permanent residence, unshakeable, immovable, wholly given and wholly ours. Scattered across this great globe, now and then, we stumble across gifts of happiness from a God who, kindly, with an absolute patience that the trees themselves were taught to imitate, guides us up into the security of his own life”

Laura Fabrycky

This post is dedicated to Pauline Brown, Bettie Addleton, and Grace Pittman – the remaining originals from CBFMS.

Earthquakes & Stories Matter

The sun is crazy bright today, reflecting off the wooden floors in our house. It is beautiful – a reminder to me of hope and warmth and spring coming. I think about this – the contrast between the safety and warmth I feel and the ongoing crisis of the three earthquakes that Turkey and Syria have endured.

I have been quiet in this space about this tragedy, not due to lack of care, but because what can I possibly do or say that could help? I am far removed from the area and get my news the way most of you do. But I do have a deep love for that part of the world, family who live in Istanbul, and friends who are well acquainted with the area. So today, I’m posting a piece I wrote 10 years ago but never published. A piece that will remind all of us that before the crisis, there was already a crisis. A reminder that these stories that we know and those we don’t know matter to God. A reminder that earthquakes and stories matter. When they are far away, they interrupt our lives for a short time through crisis news reports. But long after the front-page news ends, the crisis, the stories, and the people within those stories matter. At the end of the piece, I have included two places where you can donate. They were recommended to me by my brother and sister-in-law and you can trust that the money will go to those most in need.


And now, back to 2013….

I am sitting in a sun-filled room in Uskudar – an area of Istanbul on the Asian side of the city, occasionally staring out at the tops of buildings. I am tired in the best way possible. I heard the Call to Prayer a half hour ago telling me that it is late afternoon, and we will soon be getting ready for the evening activities.

The day began in chaos. It was the first night since arriving that I did not sleep well. Carol (my sister-in-law) and I were heading to a refugee clinic on the European side of the city, and we knew we would be late. We ran to catch a ferry from Uskudar to Kabatas, breathlessly sliding into seats by the window.

The morning was beautiful, partly cloudy but sun spilling through at odd moments, reflecting off a blue-gray Marmara Sea.

“This is a beautiful city” – the same words came to mind that I had been saying both internally and aloud all week. Beautiful. Breathtaking really, with Topkapi Palace and Hagia Sophia on a hill, the Blue Mosque back a bit creating the picture-perfect skyline that is Istanbul. And the ferry rides were ideal places to slow down and experience the view and the city.

Arriving at the dock, we headed to an underground cable car, taking it the rest of the way to Taksim. As we set off in search of the clinic, Carol remembered that Google maps doesn’t do construction. This is fact.

 But no matter – we were determined. And determined won, as it usually does.

We found the building and after walking down a dark hallway, trekked 4 flights up a set of stairs. Istanbul is not a city for the short of breath. The room we entered was full of language. Turkish, Farsi, English, Arabic – it all melded into indefinable verbs and nouns, participles and dangling. It was a gift to my ears. One of the side rooms was designated as a nurse’s room and we did a quick survey of medicines and equipment. It was quick because there was none (apart from Sarah Goodwin’s 2-year expired antibiotics from Michigan). No blood pressure cuff, no stethoscope, one thermometer, and medicine that fit into one 8 by 11 plastic container.  

Our first patient was an Iraqi refugee. With rusty and wanting Arabic I asked her what was wrong. I barely made out the words ‘headache’ and ‘chest pain’ when the interpreter came to my rescue. And the story came out. Bit by bit by bit. The headache – but really the heartache; the chest pain – but really the stress and a heart broken. The words gave a  picture of a family exiled. Refugees. Forging a new home in a new place.

What is the remedy for a broken heart?

We had so little to offer. A small packet of Brufen (Ibuprophen), and encouragement to drink a lot of water, an offer to come back if the headaches worsened, if the headaches were accompanied by blurred vision or dizziness. She was followed by more people, children and moms, more symptoms and more stories. And these were only the tip of a Titanic size iceberg of stories.

For years I have said that stories matter; stories give us a bigger picture, a narrative into which we offer our hearts. And these stories – they matter. They matter to the clinician who attempts to distinguish, with no equipment, symptoms that need physical medicine, those that need emotional, those that need both. They matter to the interpreter who skillfully takes the words and decodes them for the listener. Most of all they matter to God; a God who needs no interpreter and no storyteller, a God who was present in the room with us, caring for all who were there. A God who gives eyes to see and ears to hear the cry of the heart.  

 The sun has almost set and the Call to Prayer was now over two hours ago. As I close my computer and type the last words, I whisper a prayer for the people I met, and those I never will; for stories I heard, and for the millions I will never hear.


Here is a message from my brother who has lived in Istanbul for 10 years with info on two organizations that he would recommend donating to for earthquake relief efforts:

Two organizations you might want to consider supporting are Medicins Sans Frontieres / Doctors without Borders which works on both sides of the Turkey – Syria border, and İLK UMUT DERNEĞİ / First Hope Association a small Turkish NGO that has a good record of working in close cooperation with government and non-governmental organizations. 

Please keep in mind that support for survivors of this tragedy will remain urgent for many months and years to come, long after the attention of world media has passed on to other things.

On Quiet Belonging

I’ve been quiet in this space. In the past few years, February has been a time of quiet reflection and muted colors. It is equal parts winter, past tragedies, and me. I don’t hate it and I don’t try and push it away. Instead, I probably bake way too much (cinnamon rolls anyone?), find myself frequenting coffee shops even more regularly, and do a lot of reading and journaling.

As I write this, I have escaped the city to Rockport’s beauty and quiet. It was the anniversary of my brother’s death and I needed time for reflection and some mourning. This morning I literally chased the sunrise, knowing that it had to be just around the next corner, finally happening on its magnificent break over the horizon, flames of color spreading across the sky. It was deeply satisfying!

Into this quiet, my dear childhood, now adult friend Mikaere Greenslade posted a beauty of a poem online, specifically tagging me. The poem was titled ‘belong’ and I’m quite sure he has little idea of how much it meant to me.

Mikaere is a beautiful poet who lives in New Zealand. I found out recently from my mum that she considered Mikaere’s mum to be one of her closest friends. We lived in the same city from around 6 years old to 10 years old or so. Then, as is the case of so many global friendships, we parted, each to our respective passport lands. I was to return to Pakistan after a year, but Mikaere did not. Before the advent of social media and the finding of these long-lost friends I never imagined that we would reconnect. But reconnect we did over a shared love of Pakistan and writing.

On this quiet February, where introspection is not an enemy but a dear friend, I offer you his words. Enjoy!

'belong'

(for Marilyn)

where is home she asked
four walls or
being known
where do the birds call
your name
where does rain caress
the stones that cover your
bones
where a sigh and smile
can hold hands
and the dog sleeps late
nau mai haere mai
haere mai ki tou kainga
whisper the trees

Mikaere Greenslade 2023

To purchase this beautiful book, contact Mikaere through Celestial Press by clicking here. Here is a recent poem he shared on his page. Do think seriously about supporting him for where would we be without our artists, our poets, our writers, our dancers?

night prayer 

it whelms from deep
bones and memory
not a story but
a know
what you know
dark turns and wait
after the cold comes stand
after the joy come scars 
hold breath
it is all precious 
and you child
and you

Arguments about Origin – a TCK post

I was exhausted. It was yet another argument about where I was from, arguments that I was beginning to call “Arguments of Origin” – perhaps so that they sounded more academic and less fraught with emotion.

But the reality was, they were fraught with emotion.

This particular argument started out as a benign comment by a friend to something I had posted online. I don’t even remember the original post, but it was about belonging and my connection to my childhood home – Pakistan. In the post I called Pakistan “home.”

“But it’s not really home for you.” she stated matter-of-factly.

“I’m not sure what you mean.” I said “I grew up there, so yes, it was my childhood home.”

“But you’re not from there.” she was not going to let this go.

Fair enough, but it really depends on what “from there” means.

I tried to put a different lens onto the conversation. “Well – where do you say you are from.” “That’s easy” she named a small town in one of the New England states. “Okay, why do you call that town home?” “Well, I grew up there.”

The defense rests their case.

When I returned to Pakistan in 2010, I got to walk through the house we had lived in during my junior and senior years of high school. A tsunami of memories came over me as I walked through the large front rooms, around the verandah, and finally stopped in front of my bedroom door. As I pressed my face against the window, looking into the room where I had spent winter vacations, I gasped. There on the bed was the comforter that my mom and I had picked out so many years before. The previously bright green, pink, yellow, and blue patterns had faded through the years, but there was no mistaking it. I never thought something as simple as a comforter could bring on such a profound sense of belonging. It was, after all, an inanimate object. But in that moment, it was confirmation of a life that I had lived, a life relegated to stories, photo albums, and memories captured in the cerebral cortex of my brain.

Despite 18 years of life packed into old passports, photo albums, old journals, and letters that my mom kept through the years, in many people’s eyes I have no right to say that Pakistan was home, even less rights to saying that I am from Pakistan. My rights to the country are defined by outsiders who tell me who I am and where I am from.

It brings up many emotions and deep empathy for the many around me who, in this era of massive displacement, struggle silently in the same way.

In a beautiful essay called “Reconciling with Less Home: Between Haiti and Me” Martina Fouquet writes:

The real question is who determines where we belong?

Martina Fouquet in Catapult Magazine

Perhaps what people don’t realize about their challenges to our concepts of home and where we say we are from are that the challenges act like a knife cutting to the core of who we are. The knife cuts deep, and we are left with our own origin questions, self-doubt raising its ugly head telling us once again that we don’t really belong. The internal dialogue that we thought we had silenced so long ago emerges once again, loud and accusatory: “You don’t really belong. You aren’t Pakistani. You left years ago.”

“But that’s not really home for you” or “That’s not where you’re really from” viewed as benign statements to many presents as a challenge to personhood and origin to another.

I don’t know what the answer is to arguments of origin, other than reminding myself once again that no one gets to tell any of us where home is. It is uniquely ours to determine where and why. Our stories may not fit into tidy boxes that connect within the experiences of others, but that’s not a problem we need to solve or a burden we need to bear.

Despite awkward questions, arguments, and discussions on home and origin, the paradoxical gift of this journey is that sometimes less home becomes more home, our lives richer for the multiple places we are privileged to call home.

Home is more than just a place where we come from, it is a part of us. And the longer we distance ourselves from home, the less complete we are.

Martina Fouquet

Finding Beauty Between

I was caught in traffic today. I sat in the driver’s seat just five minutes from my house, craning my neck to see what was blocking cars and trucks from moving more than a couple of feet every few minutes. We inched along, caught in a concrete and steel maze. To my left was an iron fence, the top of it oddly ornamental but lost in the garbage and chaos that is city living. To my right, bright yellow graffiti tried to make a statement, perhaps encouraging those of us who were stuck in traffic to see beyond the city scene.

In the middle of this, I began to think about a talented artist and her ability to take the common of the city, infuse the starkness with colors and shadows, and in her own words “beautifying the banal.” She takes the scene I see in front of me and creates beauty. Chain link fences, stop signs, concrete buildings, barriers, all of it painted with precision and care.

I paint spaces that most people pass daily but don’t notice, like alleyways, fences and parking lots.

Christine Rasmussen

Christine Rasmussen is an LA-based artist who describes herself as “painter of the in between.” She is also daughter of one of my dear childhood, now adult, friends. Her artist statement gives the viewer a sense of what she is doing. Beyond the words are, of course, the paintings themselves.

As a painter I investigate the in between, depicting cityscapes that hover between familiar and imagined. In observing these urban spaces devoid of people, I play with themes of belonging versus aloneness; memory versus daydream; and narrative versus abstraction. The “story” continues off the canvas, letting the viewer’s imagination step in.

These themes interest me as a global nomad who has often found myself hovering between multiple cultures, time zones, languages and identities. Close observation of my surroundings in every city I encounter reveals recurring materials, shadows or shapes that I paint as symbols of our shared humanity across perceived differences. Through capturing these commonalities – the wondrous details of urban environments – in my paintings, I explore the many complexities and multiple identities of our rich inner lives.

Artist Statement – Christine Rasmussen – Painter of the In-Between

There are many things in cityscapes that are barriers carrying messages that tell us we don’t belong. Red and white signs that give harsh orders of “Do Not Enter,” stop signs, large concrete structures, traffic lights that dictate when you can go and when you must stop, boarded up buildings, and anonymous drivers in snob appeal cars. That is what makes Christine’s desire to introduce us to these as shared symbols of humanity and eye for beauty in the commonplace of the city unique and imaginative.

In a review of her solo exhibition called “Liminal Transcendence” that recently opened in LA, her work was described this way:

In these paintings, we are getting a view of where the sky meets the earth. The horizon is filled with concrete, metal, glass, shadow and urban stories. The sky in her works is filled with clouds (and chemtrails) Angelenos will easily recognize. Christine is asking us to take notice of that in between space where the magic happens.

Kristine Schomaker in Art and Cake Magazine

Take notice of that in between space where the magic happens.

Pay attention to the beauty in the banal.

Never stop finding beauty in the ordinary moments of life.

It is easy for me to see beauty in the in between of the natural world where the sky meets the earth, where the ocean rises up to the horizon, and where the sun shines through the clouds. Bearing witness to all that beauty gives birth to heart-bursting moments that keep me longing for an eternity where beauty will never end but last forever.

It is more difficult for me to see beauty and magic where concrete meets clouds and chain-link fences connect with the sky, where birds perch on electric wires strung between poles on city streets. And yet, these are part of the sum of where I live. Christine’s work, created from a background that resonates with my own, invites me to see color and perspective, asks me to pay attention and look for beauty beyond my immediate vision. She captures life between far more realistically, precisely because there are so many sharp corners and fences in a life between. Her paintings encourage me to move past the cityscapes and into the coffee shop on the corner where my heart connects with a friend and the saudade is killed. I move from there to my office with sleek black walls and industrial fixtures, finally back to the constant creation and recreation of home and place. And in all of it, the invitation is there – find beauty, look for magic.

When I first began processing a life lived between worlds through writing, it was more about the pain and discomfort of the process. As I’ve grown, I’ve come to see the sharp objects in this life as part of the beauty. Our appreciation for beauty perhaps has more to do with our understanding of suffering then it does with our eyesight.

For all of us, this life on earth is a life lived between. None of us knows what is next. While my faith tradition gives me clues and in faith, I accept those, it also reminds me that this is a mystery. I analyze it and dissect it, but what I really long to do is use my words to articulate the beauty and magic of this life. I want my words to do what Christine’s art does. I want them to say “Look beyond the dirt and garbage, beyond the stop and go, the insecurity and anonymity of the city. Take notice! Pay attention!” Pay attention to the straight edges that meet the cloudless blue sky, or the petunia that grows through the crack in the concrete. Pay attention to the steel objects and the velvet fabrics. Chase beauty like you chase belonging and you will find both.

Let your imagination run with your longing and find rest in a promise far greater than magic, the promise of an eternity better than you could dream it to be, all of our longings and belongings finally fulfilled, wrapped in something far better and greater than we can imagine.

Note – you can see Christine’s work by clicking the link for her website above or by following her on Instagram @christinerasmussenart.

How We Return – Anafora

How I wish words could accurately describe this unique retreat center in the desert that has provided peace, safety, rest, council, and retreat for so many years!

We arrive at night traveling the Cairo-Alexandria Road at dusk. A starry sky with no light pollution is the only light as we drive into the compound. Night comes quickly in the desert, the bright sun replaced by a cloudless night sky, billions of stars light years away are a reminder of how small I am in this big universe.

My room is simple and charming, domed ceilings, stone floors covered by bright colored rugs, and a bed covered by mosquito netting welcome me. I haven’t slept in a bed with mosquito netting since Pakistan, and I have always loved the feeling of being protected so completely with the gossamer mesh. Dinner is by candlelight in the large communal dining room, sitting on rattan chairs covered by bright blue and white patterned cushions,

A candle lights my room, creating shadows on the whitewashed walls and I read by its light. Within minutes, my shrunken heart weighed down with fear, worry, anxiety, and anger is made larger. “How fortunate I am to be here!” was the only thought on my mind.

Before I fall asleep I whisper a prayer “Thank you O Lord, Thank you. Let me not waste this precious, precious time. Instead, let me observe it with gratitude.”

I wake up early the next morning, the circled sky lights in the ceiling providing multicolored light that fills the room. I look out at the arched door that leads to a patio. My room looks out on date palms and olive groves that stretch as far as my eye can see. For the millionth time in my life, I wish I was an artist and could capture my surroundings. Palm trees wave at me past the peach-colored stucco archway and wall. There are multiple shades of desert green, none of them the bright of my New England home, all of them perfect for this setting. A round table less than a foot off the ground sits to my right with a chair of cushions to the side of it for comfort from the hard stone floor. It is quite simply, perfect.

I quickly realize that my distractions follow me. As much as I want to quiet my mind and take every advantage of this desert gem, a phone, my thoughts, and my circumstances all follow me, begging me to pick them up and fret. I know it will take effort to release them. But I have time, that beautiful and sometimes fleeting commodity. The concrete walls and stone floors are a comfort to my distracted thoughts, the date palms outside my door spreading their dates all over the ground are a reminder of a past life in Pakistan, a reminder of a God who has never let me go, who has always been there since my earliest days.

Anafora is a Greek word that means “to lift up.” The community was formed under the leadership of Bishop Thomas, a man that I was able to meet on my second to last day. His desire is to see people come to this place and be refreshed, be lifted up, and meet God. Through the years the community has grown to be a vibrant multicultural space with a constant flow of worldwide visitors intersecting with those who live and work at Anafora. Breakfast, lunch, and dinner are communal meals served in the large dining hall. Dinners are served by candlelight, adding to the rest that the entire space cultivates. Food is served in beautiful pottery pots, and the silverware is arranged in beautiful patterns every meal. Large bottles of olive oil, and jars of olives are ever present, as are different kinds of loose leaf tea – mint, karkade (hibiscus) and chamomile to name a few – that can be accessed any hour of the day. I am quickly aware of the many hands and hours of work that go into making sure everyone who stays at Anafora feels welcome.  Coptic services are held daily as well as evening vespers. Evening vespers are particularly beautiful, the large church lit with candles in alcoves around the room. While the service is primarily in Arabic, the Gospel reading of the day is read in every language present – English, Greek, Swedish, Finnish, and Norwegian.

My purpose is primarily a solitary retreat, but it is a perfect mixture of solitude and people. From my patio I hear laughter and voices chatting away in Arabic, but I can’t see anybody and it feels completely private.

The grounds are simple and lovely. Low buildings with domed ceilings are connected and I am told by my friend Marty that the block of rooms where I am staying are in the shape of a question mark with the dot at the end of the question mark being a prayer chapel “Because at the end of every question is prayer” – she quotes Bishop Thomas as she tells me. Pools and fountains of turquoise and blue run alongside paths, small bridges linking parallel paths. It is easy to find one’s way around in the daylight. What felt like a maze the night before quickly becomes familiar. The date palms are ever present, squishy sticky dates left over from the harvest fall over the ground. It is clearly date season! Pottery with desert plants of bright-colored bougainvillea and other species that I don’t recognize are the only décor and it is perfect. I am so grateful for the simplicity and beauty, a welcome respite from my overcrowded world.

As I sit on the patio, journal in hand, thoughts finally resting, a pesky fly begins to bother me. I laugh, amused at how perfectly imperfect life always ends up being. My husband and I have this theory we call “Ants in Paradise.” We thought it up on a family vacation. Everything was perfect. The most perfect beach, warm water, amazing food, great room – and suddenly we were bothered by a line of ants. We had no idea where they came from – we certainly had not invited them to come. But there they were. In that moment, we had the laughing realization that no matter how perfect our circumstances on earth, there will be ants, flies, or worse that remind us we don’t live in a perfect world. Instead of letting this depress us, we instead laughed it off, vowing to remind each other of this on a regular basis. There I was in the perfect setting of beauty and simplicity, but a fly kept on buzzing around me, annoying in its persistence. I decided to go brush my teeth and wash my hands with hopes that the smell of clean would annoy them and they’d find another victim.

It worked.

Fly gone, I begin writing and reflecting. I have five days here and because I fail so often at stopping and being present at the moment, I am already planning my next trip and know that it will be longer. I stop and breathe, reminding myself that all I have is this moment.

This moment for rest, for retreat, for Anafora.

How We Return

Cairo – October 15, 2022

There is something about returning to a place that shaped you so profoundly, something about the mixture of thoughts, feelings, and reactions – all lobes of the brain engaged in a dialogue labeled “Return.” Whether by car, train, boat, or plane, the exhausted euphoria has as much to do with your mind as it does with your body.

Cairo airport was busy at 8pm on Saturday, October 15th. I left Boston the day before at almost midnight Eastern Standard Time. The overnight flight arrived in Istanbul at four in the afternoon leaving time for a coffee and croissant in the Istanbul airport before boarding the Cairo flight. It’s a short flight and before I could doze off, I saw the lights of the massive city of Cairo below me, a shining beacon rising from the desert.

Memories of arrivals past flooded over me. The first time I visited Cairo was as a 23-year-old. I was with my boyfriend, the man who would become my husband just 7 months later. All our luggage was lost enroute so there I was in a strange city with a man who had suddenly become a stranger to me. A friend he had made a few months earlier picked us up and he, too, was a stranger. In other words, it was all strange and unfamiliar.

Six years later I would arrive with three children, four years and under, to make a home in the city. What was initially strange became dear and familiar, the city pushing its way under my skin, up through my blood stream and into my heart. It made its home there, squeezing in between space I had reserved for other things and planting itself, a pacemaker of sorts that quickened or slowed my heartbeat. You don’t take out a pacemaker just because you move. It stays there, not always working as well as you want it to because it’s so out of sync with its surroundings.

Through the years I have arrived and left Egypt around 26 times, but who or what is really counting? The pacemaker, that’s who.

On arrival, the familiar mixes with the strange, almost like a recipe changing. You don’t remember the recipe quite the way it now tastes. And so it is with return. The picture that you have planted in your head conflicts with the images you are seeing, initially feeling like a betrayal. What happened to that restaurant? That coffee shop? That family? I thought they would always be there. Once the betrayal is confronted, I feel a new freedom to relax and enjoy.

Marty, a dear friend of many years picked me up from the Cairo airport and we happily chatted as the driver dodged the ever-present traffic, finally arriving in Ma’adi, the place where Marty has made her home for 34 years. If outside had changed, inside was the comfort of familiarity in a dear place with dear friends.

Everyone has a different routine when going back to places they have lived in the past. For me, it means carving out of a new niche. This is not metaphorical but concrete. I have to find a new coffee shop, the space where I will go daily while I am visiting. I found it quickly, a small outdoor space with perfect lattes and delicious mint, lemon smoothies. The first few days found me content to just be, casting off the stress of my U.S. life and taking on this extraordinary chance to rest.

I chose the perfect month to return. Cairo in October is generally spectacular, the heat of summer making way for cool mornings and warm days, gentle breezes and even occasional rain. There is a new energy and gladness in folks who had previously succumbed to summer’s lethargy, knowing that fighting it is useless.

A desert retreat, chance to speak, and time with friends would come later. For now, all I knew was that I had returned to the pacemaker, the place where two of my children were born, the place where I learned to be a mom, where some of my most enduring friendships were born. I returned to a desert with splashes of fuchsia, orange, and white bougainvillea creating a striking and beautiful contrast to the dust. I returned to old memories and friendships and to creating new memories and new friendships.

I had returned. I was back and the world was alright.

Author’s Note: Dear readers, I’ll be taking you through a tour of my recent trip to Egypt and Turkey these next few days! Thank you for following along. Here are a few pictures to go with today’s post!

Safe Travels Down Memory Lane

This is what happens when you come back. Time fails. Geography wins. We’re in the children’s book by Margaret Wise Brown in which the little bunny keeps trying to run away, but his mother is always there, arms outstretched, embedded in the landscape. This is what [coming back] is doing to us. We are her children, and we are being claimed.”

What Falls From the Sky

“We’re going to Winchendon today,” I texted my husband on a Tuesday morning a couple of weeks ago.

“Safe travels sown memory lane,” he replied.

The “we” referred to my oldest brother and my mom. We were in Central Massachusetts visiting my younger brother for a short two days and two of the places that had been home for our family during furloughs were within a forty minute drive.

My mom was born and raised in Winchendon, Massachusetts before leaving the United States to spend a lifetime overseas. I was born in the same town and spent my first three months of life there before arriving in Pakistan as a three-month old. I returned to Winchendon at four, then at fourteen – each time living for a limited amount of time before returning home to Pakistan. I had also lived in the city of Fitchburg, about a half hour away from Winchendon, when I was 10 going on 11. Though I have lived in Massachusetts for many years now, I had never gone on a trip down memory lane.

Memory lane travel began on Klondike Avenue in Fitchburg, Massachusetts. Klondike Avenue received us, a missionary family with a bunch of kids, made us feel like we were at home, like we belonged. As we drove down the street I eagerly waited to see the house where we lived during that unforgettable year. I remembered it as being an old New England home on a dandelion dotted hill that sloped down to the road. Like many things in my memory, the house was far smaller, the hill was not as large, but the house looked happy and well cared for with bright red and pink geraniums beckoning from the back steps. The area around the house was completely built up, farm land sold to a developer many years ago. Paradise had indeed been paved to make way for homes, families, and urban growth.

Klondike Avenue was thousands of miles away from our world in Pakistan. We traded boarding school for day school, a land rover for a Ford station wagon, Sunday night singspirations for Sunday night cereal. We were the missionary family with all the kids and as we entered, the neighborhood seemed to know we were coming.

Memories flooded over me of swimming in the Pierce’s pool and playing softball on late spring evenings on the Pierce Farm field; riding bikes to the book mobile that came every Thursday and Vacation Bible School at Highland Baptist Church; laughing and talking with Carin Waaramaa who lived at the end of the street and generously offered me her friendship and her family, no strings attached, no motives, just pure grace.

For kids coming from Pakistan, Klondike Avenue was near perfect.

At this point we were miles into memory lane and I wondered aloud if we could find East Street School, the old brick building where my youngest brother and I went to school that year. Just around a corner, we unexpectedly came on it. It’s sad facade begged us to stop and pay attention, clearly no one else had. Windows were boarded up and resilient plants sprouted their way through cracked concrete. A young woman with a brilliant smile that sparkled of good dental care had pulled up to the side of the road. She looked at us curiously, what would bring people to stop and take pictures of this sad building? Through an open window I explained to her that I had attended this very school many, many years before.

Highland Baptist Church, an old New England Church with white clapboard and a tall steeple, was our next stop. We chatted with the current pastor, my mom relaying some of her memories and we hearing some of the current happenings in the community.

On to Winchendon where we visited the cemetery where my grandmother and grandfather are buried, as well as two stillborn children and a first wife that my brother buried before he was 28 years old. Sometimes you need to be reminded of the suffering of your siblings. In that space, the midday sun shining brightly on us, I remembered.

We drove on to the veteran’s cemetery, the graves lined up like tidy soldiers, a startling contrast to the untidiness of death, to the untidiness of war. It took a couple of text messages and looking on a website to find my father’s grave. Not having thought ahead, we shamelessly “borrowed” some flowers from another grave for a photo op, and we will ever be grateful to the family of Kenneth Proos for their unknowing generosity. Immediately after the picture was taken we returned them to their rightful owner. I like to think that the laughter it brought us was gratitude in itself, but we will never know.

My mom’s childhood home at 485 Central Street in Winchendon was our next stop. To our amazement we connected with Mr. Walker, a man who has lived there for decades and remembered my grandparents. “You’re a Kolodinski?” he asked my mom. He and his wife bought the house not too many years after my grandmother moved. It was a poignant connection and gift to hear memories of the house and neighborhood. As we drove away, we weren’t thinking much about memories. Pizza and subs were on our collective minds. How can memory make one so hungry? Revived by sub sandwiches at a local pizza place, more family stories were told.

Our last stops were the schools we attended and 40 Hyde Park Street, the street and house where my cousins lived, a home base of sorts for us every four years until it wasn’t. My great grandfather, a Polish/Lithuanian immigrant, bought farm land when he moved to the area hoping his son would take it on after he died. Like so many immigrant families, what the parent wanted and what the adult child wanted were two different things. The farm land was slowly sold off, in its place stand an assisted living center and other homes. We had lived in the house next door for my freshman and sophomore years of highschool, a perfect location with cousins, an aunt and uncle, and grandmother next door.

As I looked up at the windows of the tiny room that had been my bedroom, I remembered tumultuous teen years in a place where I didn’t fit, a round (quite round as I gained a lot of weight that year) peg trying desperately to fit myself into all of the square holes around me only to realize that I was too round, too different, too “other.” And yet, I still remember sweet friendships with people who could reach across the barriers that divide, inviting me into relationship and connection.

It was mid afternoon when we began to drive back to Clinton. There was still a lot of daylight left, the summer sun not yet tired, but our return trip was quieter, perhaps each of us were lost in memory and story.

I have often tried to forget this area, to deny my connection to the geography or people. Whenever I thought about Winchendon, the only colors that would come to my mind were grey and sad, while the colors that came into my mind with Pakistan were brilliant reds, yellows, blues, and greens. But it is as impossible to forget this area as it would be to forget Pakistan. They worked in tandem to raise me. This is a place that has been part of my extended family for generations and has given me a heritage that I cannot deny.

Each of us has an invisible box of told and untold journeys and memories. Some of these have names and faces, roads and mailboxes. Others have emotions and conversations, wishes and regrets, dreams and hurts. There are the valleys of gravestones and unimaginable pain and there are mountains of unexplainable joy. Memories remind us who we are, where we’ve come from, what we’ve lived through. They connect us even when they are hard and sad, for a life without contrasts is no life at all.

It is now a couple of weeks later. Life moves forward and, as Dumbledore tells us, “It does not do to dwell on dreams (or memories) and forget to live.” Perhaps that’s why we need the caution to travel safely down memory lane. For whether the memories be good or hard, living color or deep grey, they can trap us into imagining life was far better or far worse than it actually was or is.

As for me, my travel down memory lane was safe and secure, full of stories and laughter, a day of being claimed by the memories and geography that make me who I am.