Repost – God Through the Lens of Les Mis

Queens Theatre, 51 Shaftesbury Avenue, London,...

Come with me
Where chains will never bind you
All your grief at last at last behind you
Lord in heaven, look down on him in mercy!
Forgive me all my trustpasses
and take me to your glory
Take my hand, and lead me to salvation
Take my love, for love is everlasting
And remember the truth that once was spoken
To love another person is to see the face of God!”

Of all the musicals on ever earth, Les Miserables is my favorite. From the opening chord of the orchestra to the ending ensemble lines of “Will you join in our crusade? Who will be strong and stand with me? Somewhere beyond the barricade is there a world you long to see?Do you hear the people sing? Say do you hear the distant drums? It is the future that they bring when tomorrow comes!” I am in another realm, a place where right trumps wrong and grace and mercy triumph over vengeance.

For those who don’t know the story, Les Mis takes place in the 19th century in pre-revolutionary France. A prisoner by the name of Jean Valjean, but better known by his number 24601, is granted parole after 19 years of imprisonment. He was initially given 5 years in prison for stealing a loaf of bread for a starving child (his sister’s child) but because of many attempts to escape ended up being there for 19. Seen as a pariah because of his prison past, he struggles to find work or food.  He is ultimately taken in by a man of the cloth, the Bishop of Digne,  and given food and lodging. He returns this kindness by stealing the silverware in the middle of the night, is caught by police and taken to be accused by the clergy. Instead of accusations, he is vindicated as  the Bishop claims they were given to Valjean as a gift and wonders aloud to Jean Valjean’s captors why he left the silver candlesticks in ‘his haste’ .  This act of grace is given with a challenge by the clergyman to ‘Become an honest man‘. He journeys through his life doing just that, though continuously haunted by his past in the form of a police inspector named Javert.

The contrast of the two men is clear as one is consumed with the need for justice and retribution and the other attempts to live out his life in grace but secrecy. Like all good stories there is the protagonist, a conflict, and a critical climax that I will not spoil for those who have not yet seen the show.

This year Tom Hooper, director of The King’s Speech, winner of four Oscars, takes Les Mis to the big screen. I had the pleasure of seeing it last night – and though I will always prefer the live performance, I loved the show. Anne Hathaway as Fantine brings on tears as she struggles to survive on the streets of Paris; Eponine’s poignant “A Little Fall of Rain” catches in your throat; and you want to get up and wave a flag during “Red – the blood of angry men, Black – the dark of ages past”.  All and all, it’s a great show — the next best thing to seeing it live.

With great theology and irresistible truths it feels like a holy experience. 

More and more I am grateful for the compelling lessons I learn of God and Grace, Mercy and Justice from the world around me, whether it be award-winning musicals or encounters on a crowded, dirty street.These glimpses of the character of God move me from wanting to know ‘of’ God, to wanting a relationship with God himself, walking in faith that the words “Come with me, Where chains will never bind you. All your grief at last at last behind you” will at some point be sung to me.

Confessions From a Film Loving Family

Our family loves films. Comedies, tragedies, suspense, satire, mystery – no matter the genre, we laugh, we cry, we discuss and we always watch the Oscars.

Our love of film is a bit overwhelming for the unsuspecting guest in our home as memorization of lines and reenactment of characters spills into our ‘real life’.  I remember one dinner with friends where we quoted almost verbatim the script to “Waiting for Guffman” – a mockery of community theatre. The only problem? They had never seen the film and who had a need or desire to see it after we were through with them.

When our kids were young and we lived overseas, we would rent pirated videos of newly released films to indulge our passion. The pictures were often distorted and poor quality but our kids didn’t know any better, and we were not about to tell them. Moving on to the United States, we began to hold Oscar Parties on Oscar night, putting up a life-size Oscar made of cardboard and laying down a red plastic tablecloth, a cheap simulation of ‘the red carpet’. We would dress up according to the films of the year and memories of my husband dressed as Caesar from ‘The Gladiator’, my daughter Annie dressed as Virginia Woolf from ‘The Hours’, and one of my boys a young and handsome Zorro are captured in faded color photos.

Maybe it was a need to occasionally escape reality that led us to a love of films, but I like to think it was more than that. I like to imagine it was our love of stories and storytelling where themes from movie plots could challenge, humor, delight and inspire. Or our wish to live life in living color complete with our own characters and plot. For some time I tried to defend this part of us, and then realized that I didn’t need to.  It was us and not something to be ashamed of.

And so it brings me to the Oscars, held tomorrow night, with the network sponsor enjoying the revenue of millions of dollars in advertising. It isn’t that we love Hollywood and all it stands for, but throughout history stories have been used as a way to connect people and make them think, to illustrate and reflect relationships and the human condition and soul. A current medium for the telling of these stories is film with all its gifts and flaws – and that is why we love film and why I will watch and enjoy the Oscars.

Bloggers Note: This year I have the privilege of enjoying the Oscars in Chicago with our sons Micah and Joel. Micah graduated in May with a major in Film from Northwestern University. We like to think we were influential in his decision to go into film or maybe when young, he thought pirated films were the real thing and was convinced that someone could do a better job.

Communication and “The King’s Speech”

Last night I went to see “The King’s Speech“.  For those who have not heard of it – the story is of King George VI of England (the one who got the throne when Edward abdicated for love) and his lifelong struggle with stuttering or stammering as the movie termed it.  It was an outstanding film with what I felt were Oscar worthy performances by Colin Firth as George, more lovingly termed ‘Bertie’ and Geoffrey Rush.   Bertie basically wants to get rid of the stammer without delving deeper into the ‘why’ of the stammer and  Lionel (Geoffrey Rush) as his speech therapist will  have none of it, forcing the issue to a deeper level.  It is a moving portrayal of  the struggle to communicate through speech, tenacity, friendship between very distinct classes, and perseverance.  A must see.

For me it was a reminder that communicating comes in different ways, that it can be difficult for many for a variety of reasons, that it often takes another to help us through the process.  I have never struggled with a stammer but periodically I do what a friend lovingly calls ‘forget my words’.  Being a talker it is  frustrating when this happens, especially in public and more frustrating because I love communicating through words.

The story has a poignant end – I won’t give any spoilers, just an encouragement to see the film!