Posted by Marilyn

Our family albums tell amazing stories. Picnics in the shadow of the Great Pyramids of Egypt; bucket baths in Swat Valley – home to Malala the brave; hiking in the foothills of the Himalayan mountains; feeding pigeons outside the Spice Bazaar in Istanbul; climbing on canons in Quebec City; wandering through Topkapi Palace with cousins, an added bonus; early morning train journeys from Ankara to Istanbul; roaming the streets of Cairo and boat rides on the Nile. 

Amazing stories, each one of them. Each one an entry into a thick family album.

And then the stories changed, and with them the photographs. Those fading photographs changed from plane rides to road trips, from palm trees to sugar maples, from apartments in a large Middle Eastern city to a Victorian home on Main Street in New England. Suddenly there were leaves to rake during golden autumns. Warm winters with no need for snow boots changed to delighted cries of “It’s snowing” followed by sledding on the small hill in our back yard. Spring saw us aching for the warmth of summer and forcing forsythia to bloom and bring color and new life. And then there were the summers, where daily trips to the ocean, even if it was for only an hour, were necessary as we experienced the magic of low tide on rocky New England beaches.

We were no longer on planes every year, our passports ready to be stamped. Our suitcases had layers of dust on them and the trunks that had so faithfully crossed the ocean found other uses storing legos and other toys. The reminders of our former lives were reduced to photo albums, stories, stamps in our passports, and Arafat and Rabin, sworn enemies, looking out at us from a heart-shaped frame on our mantle.

Our photo albums capture points in time, but not the whole narrative. Not the narrative of transition and loss, of starting a new life and trying to recreate home. Written through every picture is the hidden narrative of finding home within transition. Finding home in a world that changed frequently.

And what about our children in all of this? What about those blonde and dark heads, those blue and brown eyes, those toddler And elementary school bodies that even then were growing into a space far beyond our walls of safety? What about those kids captured so well in photographs, and yet – not really captured at all?

I knew nothing of the third culture life when we began this journey. I knew that I felt most comfortable between worlds but I had not discovered the language to articulate this. I knew I felt different in the United States then I did in Pakistan, but the research was new and not mainstream. I was a third culture kid raising third culture kids, and I didn’t have a clue as to what that really meant.

Shallow roots are tender, they need care as they are being transplanted. We hurt shallow roots because we didn’t know any better.

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In the midst of such constant change, how do we still find a way to be in the world, to build a home under ever-changing conditions? I think the answer is found not in the concept of home per se but what a home provides us, which is a place of dwelling. To dwell is to linger, to safely be.

DR. MICHELLE HARWELL 

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When we live lives that take us miles from family and home cultures, we learn that a home is far more than four walls and a roof. Home becomes people, routines, precious objects that make their way across oceans and transitions, and digging up roots that, though shallow, are still roots.

How do we navigate all of this? How do we adapt when change and transition feel like the only constants?How do we keep up the rhythms of home, and a sense of belonging when the walls of home have moved?

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As children, I think we take for granted that a home is gifted to us. It’s made for us through the routines, the four walls that surround and the emotional rhythms that build a sense of familiarity and holding. As we grow, that sense of belonging to a place and a people translates to a more robust internal belonging and holding that allows us to venture further and further out into the world.

DR. MICHELLE HARWELL

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I didn’t know back then – but now I do know, and this is what I would tell my younger self – Click here to read the rest of the piece at A Life Overseas.

“At two and a bit, he understood neither distance nor time. What he understood was that we were there, but he was not. For the first time in his short life, he learnt how to say goodbye.”

DANAU TANU AUTHOR OF GROWING UP IN TRANSIT